Posts tagged “Best Visual Effects

93rd Academy Awards Recap

So I know the Oscars are never a ‘fun’ show to watch. They’re always overlong and tedious and full of bad jokes and filler. But man, this year just felt so tedious, the way they did it. Which is weird, because I was into Soderbergh being one of the producers and loved how they set it up at the beginning. It started off so relaxed and seemed like it was gonna be something different and fun. Everyone hanging out at a cocktail hour beforehand outside and then going into that room and trying to do a different type of ceremony…

Then we had those overlong presenter intros that took way too long and didn’t translate as well in person as they maybe seemed when they thought them up. And then it felt almost like they were rushing through stuff rather than focusing on the right parts of the night. Somehow they avoided filler until right near the end, when they did that one bit with Glenn Close (which I didn’t hate, just because I know they have to do stuff to go viral nowadays, but you’d think they’d have done it an hour earlier, and not when we were all looking at the time like, “Okay, let’s wrap this up, guys”).

And then there was that ending, where you had three hours of Black presenters and Black winners and Black music, and an Asian woman winning and all sorts of diversity… and then the two older white people won to end the night. Honestly, how fitting. How ironically fitting, the Academy trying to go, “Look at us! We’ve changed!” and then the older white contingency still going, “…not so fast.”

It was the absolute perfect unintentional metaphor to end that ceremony, especially after you take into account how truly meaningless a lot of this is anyway. (more…)


The B+ Oscar Ballot: Guide to the 93rd Academy Awards

Once more, unto the breach, dear friends.

It’s Oscar night, and we all know what that means: I get all analytical about what’s gonna win (and why) and nobody cares and only reads the picks. It’s okay. I don’t take it personally.

The goal this year has been brevity… so here’s my pick for Best Animated Short.

I really have tried to skip the rigamarole though, given all we’ve gone through this past year. I’m still gonna give you all the information you need to pick a ballot. I’m just gonna do it as succinctly as I can. Of course, last year I said that and still wrote 30,000 words. So we’ll see how it goes. (more…)


Oscars 2020: VES Awards

The VES Awards were handed out tonight. Theoretically they’re helpful in picking what’s gonna win the Oscar, but given what this year looks like, I’ve already written my my category breakdown because the category is so cut and dry. This is one of those situations where, just by looking at the list of nominees, you know exactly which one is gonna win. Wanna know how I know that? Here’s the category:

Love and Monsters

The Midnight Sky

Mulan

The One and Only Ivan

Tenet

(Yup, that’s right. Academy Award winner The One and Only Ivan.)

Anyway, here’s what VES did: (more…)


2020 Oscar Category Breakdown: Best Visual Effects

Today’s category is Best Visual Effects, which is the single most compromised category this year. Which isn’t its fault. We had a pandemic and theaters were closed and a lot of films got pushed a year. And the films that are most affected by theaters being closed are the big budget effects films. So the crop of films for this year was admittedly very weak. Most years we get a longlist of 20 and then the shortlist of 10. This year we didn’t even get the longlist and the shortlist of 10 had at least three or four choices that wouldn’t have made it past the list of 20 any other year.

In the end we get a category that’s likely to go down as one of the more forgettable Visual Effects categories, but given that there’s a very obvious and clear choice at the top I’m not sure people will notice it. (more…)


Oscars 2020: VES Nominations

Here are your Visual Effects Society nominees. As a reminder, this is your shortlist for the category:

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Bloodshot
Love and Monsters
Mank
The Midnight Sky
Mulan
The One and Only Ivan
Soul
Tenet
Welcome to Chechnya

VES has a bunch of different categories, so we’re just gonna take them as they come and then try to piece some thoughts together at the end. (more…)


Oscars 2020: Best Visual Effects Shortlist

Today we’re gonna do the Visual Effects shortlist, mostly because that category can usually be done by sheer logic and doesn’t take a whole lot to parse through. Plus we’ll eventually have a bunch of precursors, so that’ll help too.

The only thing I’m upset about with this one is that we didn’t get a longlist this year. Usually we get that preliminary list of 20 films that were eligible here and then get this list of 10. Now all we have is this, and I feel like we can almost instantly pick which five or six are the actual contenders. I’m gonna assume that the reason we didn’t get the list of 20 is because so many films pushed out of the year (mostly theater-going blockbuster type films) that they didn’t really have a list of 20. Which would also explain some of the films on this list, which made me look a bit sideways due to their questionable nature. They seem like films that would’ve been on the list of 20 and not made this. But, in a thinner year, I kinda get it.

Anyway, here’s your Visual Effects shortlist:

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
Bloodshot
Love and Monsters
Mank
The Midnight Sky
Mulan
The One and Only Ivan
Soul
Tenet
Welcome to Chechnya (more…)