So I know the Oscars are never a ‘fun’ show to watch. They’re always overlong and tedious and full of bad jokes and filler. But man, this year just felt so tedious, the way they did it. Which is weird, because I was into Soderbergh being one of the producers and loved how they set it up at the beginning. It started off so relaxed and seemed like it was gonna be something different and fun. Everyone hanging out at a cocktail hour beforehand outside and then going into that room and trying to do a different type of ceremony…
Then we had those overlong presenter intros that took way too long and didn’t translate as well in person as they maybe seemed when they thought them up. And then it felt almost like they were rushing through stuff rather than focusing on the right parts of the night. Somehow they avoided filler until right near the end, when they did that one bit with Glenn Close (which I didn’t hate, just because I know they have to do stuff to go viral nowadays, but you’d think they’d have done it an hour earlier, and not when we were all looking at the time like, “Okay, let’s wrap this up, guys”).
And then there was that ending, where you had three hours of Black presenters and Black winners and Black music, and an Asian woman winning and all sorts of diversity… and then the two older white people won to end the night. Honestly, how fitting. How ironically fitting, the Academy trying to go, “Look at us! We’ve changed!” and then the older white contingency still going, “…not so fast.”
It was the absolute perfect unintentional metaphor to end that ceremony, especially after you take into account how truly meaningless a lot of this is anyway. (more…)
Once more, unto the breach, dear friends.
It’s Oscar night, and we all know what that means: I get all analytical about what’s gonna win (and why) and nobody cares and only reads the picks. It’s okay. I don’t take it personally.
The goal this year has been brevity… so here’s my pick for Best Animated Short.
I really have tried to skip the rigamarole though, given all we’ve gone through this past year. I’m still gonna give you all the information you need to pick a ballot. I’m just gonna do it as succinctly as I can. Of course, last year I said that and still wrote 30,000 words. So we’ll see how it goes. (more…)
Today is Best Animated Short. I know most people tune out during the shorts categories, but this one at least has cute stuff in it, so maybe some people pay a little bit of attention during it. Though I know most people could care less about them.
Most of the time this category is fairly easy to pick apart. You know Pixar or Disney is one of the top two most likely to win and then you have to decide if it’s gonna beat the other emotionally-affecting short that’s on the list. Most years you’ve got a really solid hold on the category and at worst it’s usually ‘will A win or will B win’?
This one feels kinda like that, though maybe more skewed toward ‘A should win, but… Pixar…” Which the argument I feel like I’m usually having when I pick this category every year. (more…)
Okay. So a little bit of a reverse of how this normally goes, but I wasn’t aware of the existence of this list beforehand. You already know the shortlist of ten, but here’s the full list of 96 eligibles for Animated Short.
I’m gonna go through and watch all the ones I can and then look at trailers for the rest and see which ones look great. All I’m really trying to do here is expose myself (and others) to some great animated shorts, which I feel are one of those things that we grow up with and then just sort of abandon along the way because we become less exposed to them. And we forget just how amazing they are to watch.
So, use this as a springboard to remind yourself of how great animated short films are. (more…)
And now Best Animated Feature. And you might be saying to yourself, “Mike, there’s only ten films on this shortlist and they’re all shorts. You probably could have done this one before some of the others.” And that’s true. Probably could’ve done it on day three or four if I wanted. But, I have a story to tell you…
On the day the shortlists came out, I was sitting around waiting for them to be released. I figured they’d put them out around 11/12 o’clock LA time. But they didn’t. They ended up putting them out at 3. And in those four hours in between as I was waiting I thought, “Let me see which ones people think might be nominated so I can try to get a hold of them preemptively.” Since the minute stuff gets shortlisted, they pull them down offline. Happens every year. So I start looking. Then, I find a list of all the eligible shorts for this year, which is a list I didn’t even know they released. But someone did. A list of all 96 eligible shorts.
Long story short, I decided to try to find all 96, ended up finding half of them and later on today I’m gonna post a full article going over all 96 eligible shorts (95% of which I either have seen fully or have seen a trailer for). Because I can and because it’s fun and because animated shorts are lost treasures among the filmgoing experience and I want to try to help bring them back. But before that, we’ll go over the shortlist. This is the dinner, that’ll be the dessert.
Here’s your animated feature shortlist:
If Anything Happens I Love You
The Snail and the Whale