Every year before the Oscars I break down each of the 24 categories. I do this to familiarize everyone with the category, how it typically goes, voting-wise, historically and also as a precursor to my picks article, allowing me to get most of the heavy lifting out of the way beforehand.
What I do is go over each category’s history, give you all the previous winners and nominees, then list the current year’s nominees. And then I’ll go over how each of the guilds (if there is a corresponding guild) have voted, how that corresponds to the Oscars (some guilds mean a lot to how a category will play out. Others mean nothing). It’s basically everything you need to know in order to make an informed decision when you make your picks on Oscar night. And then I also rank the nominees at the end in terms of where I see them in terms of their likelihood to win. So you know what the general favorites are.
Today is Best Original Score. All that music and shit. (more…)
There are 91 scores eligible for Best Original Score this year.
As I do every year, I list them all, then just rip right through an eliminate 75% of them right off the bat. Because let’s be serious — you know what the contenders are and what the contenders aren’t. This is not the most surprising category.
Last year, there were 112 eligible scores. So we’re actually getting an easier job this time around. There still will only be like 15 that really have any legitimate shot anyway.
Here are the 91 eligible scores for this year: (more…)
So the Oscars were last night. A lot to talk about.
This is where we officially close the book on 2015 and move into 2016. I’ll try to give everything its due, but there was a point about an hour into the ceremony where I was just kind of over it and wanted to move on.
Overall it was a strange year. They really spread the wealth around. Mad Max won six, I think, and then The Revenant won 3 and Spotlight won 2 and then everything else only won 1. Crazy.
A lot of major stats fell and a lot of crazy shit happened. So let’s get into it: (more…)
My friend introduced me to this last year. I had no idea people did it, and I honestly think it’s the best way to pick the Oscars. Here’s how it works:
You take every category and rank all of the nominees in terms of order you think they’re going to win. If your #1 choice wins, you get 1 point. If #2 wins, you get to. Etc. And in the end, you tally your score up. And the lowest score (24 being the lowest) wins. It’s very simple, and the only time it gets confusing is if a tie happens, which is pretty rare in the history of the Academy (even though one did happen in 2012).
I prefer it because it’s based more on diagnosing the category than simply picking a winner. And diagnosing categories is my specialty.
Here’s my scorecard for this year’s Oscars: (more…)
My giant ballot article went up a few hours ago. This is the abridged version of that, for easy reference during the ceremony.
Here’s everything you should be taking, and what I’m taking. Very succinct, with cliff notes versions of all the categories.
And in a bit, I’m gonna post my scorecard for how I’m gonna rank myself on that. (Note: The rankings here may be slightly different from the ones I’m picking on the Scorecard.)
Here are the quick picks for the 88th Academy Awards: (more…)
Everything you need for Oscar night in one place. I make things as simple or as complex as you want them to be. You can read all 34,000 words like the insane person who wrote them, or you can skip through and look purely for my picks. It’s up to you. All I can promise is a respectable showing in your office/party pool and enough knowledge to make you look like you know what you’re talking about.
This article acts as both my own personal ballot as well as a tool for guessing what will win in every category. On the personal side, this acts as an extension of my Oscar Quest. I rank each category based on my thoughts having seen all the nominees and pick what I’d vote for if I were casting a ballot. That’s just for me. The practical side is more interesting. I run down every category, discuss the nominees in depth. I give you all the precursor information you need, then break down the categories. I tell you what’s most likely going to win, what its biggest competition is, and which nominee has a chance at sneaking up to surprise everyone with a win. I also link to all the category breakdowns I’ve been writing over the past couple of weeks (hint: you can click the name of each category to get to them) if you want every bit of information you can possibly get.
Then, at the very end, I plainly say “Here’s what I am taking on my ballot” and “Here is what you should take, because it is the safest and smartest decision, based on everything I’ve presented above.” I also color code everything, so you can easily find stuff. No one else goes this nuts with their coverage. Trust me. This is why you come to me. (more…)
The Academy announced the list of film scores eligible for the category this year. It totals 112 films.
As always, there will be films people are surprised aren’t on here, and films that make it on despite not seeming like they would. Mostly it’s 80& full of scores that have no chance of being nominated.
I use this article to sort through the mess and give you a good idea of which portion of the list you need not concern yourself with.
Here are all 112 scores eligible to be nominated for Best Original Score: (more…)